Categories
Uncategorized

Steps to Data Analysis

Data Sample 1

Data sample 2

Research Question: (what you want to have answered by the end of your analysis) –What does it mean to write for a living?

  1. STEP ONE: IDENTIFYING THEMES/CODES

2. STEP TWO: Asking questions to track where you are as the researcher in the project. (what surprised, intrigued, disturbed):

Quick data analysis:

  1. What surprised me? (Tracking assumptions): This question helps you keep track of your assumptions throughout the research process. When you ask yourself this question regularly, you’ll articulate your preconceived notions about this project and also record how they change.
  2. What intrigued me? (Tracking positions) Asking this question makes you aware of your personal stances in relationship to your research topic. What interests and attracts you about your project will always influence what you record and how you write about it?
  3. What disturbed me? (tracking tensions) This question exposes yourself to yourself. It requires honesty about your blind spots, stereotypes, prejudices and the things you find upsetting, no matter how small.

3. STEP 3: THINKING ABOUT SIGNIFICANCE (such as revelance to existing literature–this is where course readings might come in [Brandt, Lanham, Gregg, Nakamura])

4. STEP 4: MAKING CLAIMS

Categories
Uncategorized

Interview Protocols

Interview Protocol for Juliet

–what kind of writing do you do?

–what’s your writing process?

–what’s the payment structure/form of compensation for academics?

–is there a formal structure for academics to know what is publishable and popular? Or do you just guess? How do you know what is publishable?

–do you see yourself as a passive observer/writer? Or are you trying to prove your argument/research? (I.e. what are the genre conventions and audience expections?)

–what does a linguistics professor do?

–when publishing things, what kind approval structures do you have to go through? 

–what kind of peer review regulation do you have to go through when publishing?

Interview Protocol for Andrew

When did you start writing?

What was your first writing job?

What is a typical day like for you?

What is your writing process as a creative writer?

What is a situation in which you’ve encountered the conflict between market interests and creativity?

What kind of genres do you write in?

Are there any future trends that might affect your work (what’s marketable?) As your job continues, and the economy/market evolves, do you imagine ways where your creativity might be hindered?

How much autonomy do you feel you have in the writing process? Do you feel like you have freedom in choices?

How do you maintain originality when everyone is trying to write to certain demographics and interests? 

Categories
resources

resources: contract and flexible work

NPR Series “The Rise of Contract Workers”

“Right to Disconnect” law in France

#This Tweet Called My Back

“This Tweet Called My Back”, Model View Culture Essay

Categories
engagement

engagement: practice observation

Watch the video of a specific cultural activity.

Use the field notes guide to take observation notes: Start with the left side (description) and move toward the right (interpretation and reflection) as you go along. Take particularly care in distinguishing your description from your interpretation. After you observe the activity and begin some initial observations, take a few moments to reflect on what you’ve observed and its significance. Post your reflections on your blog. You may also use your blog to write down your field notes if you’d like.

Categories
resources

Research Resources

Qualitative Interviews

Informational interviews

Field Notes Guide

Text Analysis from Archival/Historical Perspective

Categories
engagement

engagement: research brainstorm

Feel free to work in groups/ pairs or independently on this. Post your answers to your blog.

  1. What questions about writing in the workplace or people who write for a living came up for you while engaging with the readings in the last few weeks? (Think back to Mc Millan Cottom’s take on how the new economy is shaping education, Gregg’s argument about the emotional constraints of white-collar work in conditions of flexibility or Brandt’s discussion of writers as the new mediational tools of the information economy. Or you might consider Bourdieu or Lanham’s ideas and how they might say something about what it means to write for a living). Take a few moments to brainstorm a few ideas of potential interesting strands of thinking of questions.
  2. Try to turn one of these ideas into a research question. Remember the parameters of a good primary research question: specific, narrow, and discoverable through primary methods (but not too narrow to be Google-able).
  3. Consider each of the data collection methods (interviews, observations, and text analysis) and describe how each method would allow you to find out the answer to the question in a particularly way. What would each method allow you to see? What would be the limitations of each? Which methods would be best for answering your research question?

Categories
engagement

engagement: writing for a living

Option 1: Brandt describes “mediation and synthesis” as key features in the writing demands of knowledge workers. In what ways have you engaged in this process of mediation in your own writing? Describe one example: what entities or interests were you mediating between? What are the challenges of mediation? What distinguishes mediation as a particular skill or practice in writing?

Option 2: Since we’re shifting toward discussions of career and labor, what career or future job to you envision having after graduation? With Brandt’s article in mind, think of the various ways that writing might be a part of your future job: How do you imagine writing as being part of that career? What particular texts will you write? Who will you write for or with? What will happen to your texts after you write them? What will be the stakes of your writing? In what settings will you write?

Categories
Uncategorized

project 2 conference sign-up

https://docs.google.com/document/d/1YhABPHsQae3fAzkFZg4-b_sG4IZoYWXnOa66HQxWBAI/edit?usp=sharing

Categories
engagement

engagement: rhetorical analysis out in the wild

I’d like you to read this article by Jia Tolentino about the #MeToo movement, and think about it as a rhetorical analysis that exists to address a particular exigency: How does she use rhetoric? And for what purpose? Does this rhetorical analysis mediate the exigency? Please reflect on these questions on your blog.

https://www.newyorker.com/news/our-columnists/one-year-of-metoo-what-womens-speech-is-still-not-allowed-to-do

Categories
engagement

engagement: passive aggressive notes

Complete either of these as a blog post entry: you can work individually or in pairs/small groups.

Option 1: Write a passive aggressive note. What makes up the genre of the passive aggressive note? What do you have to consider about audience and context?

Option 2: Do you have a story of receiving or writing a passive aggressive note? Please share.

Design a site like this with WordPress.com
Get started